Like most global team efforts, the story
features off-hour conference calls and a lot of e-mail
trickling in overnight. But for a small
digital-effects house like San Francisco's Giant Killer
Robots, it also meant sending large, bandwith-hogging
digital video files to the director's
company, Animal Logic, in Sydney, Australia.
That's not an easy task when you're a little company that
can't afford fiber-optic lines into the office. But if an
innovative joint
university-government project pans out, global movie-making
teams like the one behind "Happy Feet"--due in theaters Nov.
17--could have an
easier time getting their jobs done.
A small group of engineers in San Francisco is developing a
Web browsing tool for use over a high-speed fiber network
that would allow
animation and film producers to co-produce a movie in real
time. The application, called Sebastian, would work over a
dedicated, point-to-point
Internet connection, or so-called dedicated light paths, and
would let remotely located artists accomplish tasks like
marking up frames, editing
video and changing color palates as if they were in the same
room.
It would make a huge difference to smaller outfits like
Giant Killer Robots. When the two "Happy Feet" teams were
collaborating over
broadband from different time zones, using a QuickTime video
editing tool called CineSync, the video clips were more like
watching a YouTube
clip than a high-resolution wide-screen shot, which made it
hard for the director to form an educated opinion on the
fly. That sometimes painful
process, suffice to say, slowed the movie-making process.
"It's a two-cans-and-a-string-in-between-them kind of
problem. You're really trying to break down the walls of
globalization. And it all depends
on really wide pipe," said Pete Oberdorfer, co-owner of
Giant Killer Robots.
Sebastian is under development at the Digital Sister Cities
lab, a research and development team that's part of San
Francisco-based Digital
Sister Cities Initiative (DSCI). DSCI is focused on
connecting cities and promoting economic development through
advanced technologies.
One of the major goals of the organization is to get
high-speed fiber connections beyond universities and big
companies--right now about the
only entities that can afford them. By first working with
data-intensive businesses like movie outfits, DSCI hopes to
begin seeding a market and
sparking demand that will eventually convince big
telecommunications companies to decrease their sometimes
dizzyingly high fiber-line rates.
In other words, build the market, and just maybe the
carriers will come. Of course, it won't be easy, but DSCI
researchers see their project in
two parts: First, give filmmakers the tools to collaborate
remotely. Second, and likely more difficult, give them the
high-speed network to make
real-time collaboration possible.
Companies such as Cisco Systems and Lucasfilm's Industrial
Light & Magic "can burn thousands of dollars to create
infrastructure themselves,"
Oberdorfer said. "Companies (like ours) don't have that
option. As this progresses, we see it scaling so that anyone
can get access to it."
|